Let’s Talk About Sex: The 5 Goopiest Moments in Gwyneth Paltrow’s New Netflix Show
Gwyneth Paltrow hasn’t always had the best track record when it comes to vaginally-inspired remedies. There was gynecological outrage over Goop’s yoni egg claims. Vaginal steaming was quickly debunked. Even GP’s campy “This Smells Like My Vagina” candle reportedly exploded in a woman’s North London home. But Paltrow’s latest wellness show, Sex, Love, and Goop proves that if at first you don’t succeed, try again—on Netflix!
This time, the Oscar winner-turned-CEO has altered her role as de-facto host. Last year’s The Goop Lab followed GP and several of her impeccably-dressed Goop employees on a journey to expensive enlightenment. But Paltrow is largely on the periphery of Sex, Love, and Goop, which focuses its sexual healing on real-life couples. Shots of people’s dimly-lit bodies, When Harry Met Sally-style confessional interviews, and pastel-colored sex toys abound.
In any given episode, couples are paired with professional sexologists in order to work through their issues: differing sexual appetites, missing sparks, and even deep-seated body issues. The result is surprisingly moving, a brave endeavor on behalf of all the participants to bare their insecurities—and themselves. But as one would expect from a Goop production, sandwiched in-between the breakthroughs are moments of chaos, confusion, and…climax?
From Nine Perfect Strangers to The White Lotus, recent prestige TV has been obsessed with retreats—a trend befitting Goop-sponsored programming. Intentionally or not, the show’s score is a sonic dead-ringer for composer Cristobal Tapia de Veer’s tropical White Lotus earworm. The music is light on the tribal acoustics, though, and heavy on various moaning sounds. It often plays against footage of faceless bodies as they caress one another. Subtlety is not in this show’s vocabulary.
The real stars of the series are its designated sexologists. Jaiya guides “sexually mismatched” Erika and Damon through several offbeat exercises. Darshana Avila, an erotic wholeness coach, performs something referred to as sexological bodywork on Shandra and Camille, which is supposed to resolve physical trauma and encourage empowered consent. (It’s also illegal in many territories.)
Amina Peterson, an intimacy coach who works with Joie and Mike, delivers some of the show’s most frank observations about sex. She denounces the influence porn has on real-life expectations, celebrates the playfulness to be found in sex, and disrobes on-camera in order to talk about body image. While standing in front of a mirror, Peterson tells Joie: “Look at yourself naked—what do you like, what do you not like, and why? Whose voice are we listening to? Is that even someone I desire? Why are they in my bedroom and bathroom—how did they get here, and how do I evict them?”
Jaiya administers an erotic blueprint test to both Erika and Damon, which determines the ways in which they best receive pleasure: energetic (aroused by anticipation and yearning), sensual (turned on when all senses are ignited), sexual (excited by nudity and/or other traditional sexual characteristics), kinky (aroused by the taboo), or shapeshifter (all of the above).
Jaiya explores the idea of energetic orgasms with the couple. Much to Damon’s surprise, he has an orgasm from barely being touched by his wife, complete with tears and insistence that he doesn’t care how strange this may look on camera. Jaiya then invites Ian Ferguson, her business/life partner, into the session. As Erika and Damon watch, Ian appears to give Jaiya a full-body orgasm without laying a finger on her. The couple reaches Julianne Hough-levels of writhing as they touch each other’s…energy? “Shit, she went zero to sixty like that,” Damon says, speaking for Netflix’s entire viewing audience.
Perhaps the series’ most unorthodox exercise arrives in episode five, when Dash and Sera aim to explore their negative relationship patterns. Enter Katarina “Kato” Wittich, who facilitates an eccentric form of therapy called Family Constellations and has never publicly documented her work, as warned by a disclaimer.
It’s difficult to describe what exactly happens during a session. Basically, Dash and Sera take turns choosing people from a group of neutral actors to play their family members. Said participant knows nothing about Dash, Sera, or any of their potential emotional baggage. Using nothing but the power of perception and light suggestions from the facilitator, the actors “resonate” a person’s energy and relation to the family member they’re representing. It’s a daunting concept to wrap one’s head around, and watching it feels a bit like being dragged to a stilted community theater production by your friend’s friend. Wittich also claims to be “less woo-woo” than any other facilitator she’s ever met, which leaves more questions than answers.
Published at Tue, 26 Oct 2021 14:26:11 +0000